TASCAM SERIES 8p Dyna | ปรีแอมป์ ออดิโออินเตอร์เฟส

พร้อมส่ง
SKU
SERIES 8p Dyna
฿19,900
  • Free
    Shipping

  • Free Tech
    Support

  • Free Product
    Warranty

    ปรีแอมป์ ออดิโออินเตอร์เฟส Tascam SERIES 8p Dyna เป็นตัวเลือกที่ดีสำหรับงานในสตูดิโอหรืองานแสดงสด มี HDIA microphone preamps ที่ให้เสียงดีเยี่ยม 8 ตัว พร้อมด้วยคอมเพรสเซอร์แบบปุ่มเดียวที่ใช้งานง่ายในแต่ละช่องสัญญาณ

**ราคาต่อตัว** (ราคารวม VAT 7% แล้ว)

หมายเหตุ

  • กรุณาเช็ค Stock สินค้ากับเจ้าหน้าที่ ก่อนสั่งซื้อทุกครั้ง
  • - ได้รับสินค้า 2 - 7 วัน (ขึ้นอยู่กับที่อยู่จัดส่ง)
  • - หากมีการเปลี่ยนแปลงโปรโมชั่น ทางบริษัทของสงวนสิทธิ์ในการที่ไม่ต้องแจ้งให้ทราบล่วงหน้า

สอบถามข้อมูล  เพิ่มเพื่อน

Tel: 02-991-8600086-514-5515

TASCAM SERIES 8p Dyna ปรีแอมป์ ออดิโออินเตอร์เฟส

 

This ADAT-equipped preamp offers one-knob compression on every channel.

     It's increasingly common to extend the I/O capability of small computer interfaces by connecting an external eight-channel preamp via an ADAT optical port. Some of these external preamps are just that — a multi-channel preamp and A-D converter, providing additional simultaneous recording inputs to the computer, while others provide D-A conversion and line outputs too, enabling the connection of analogue outboard in send-return loops as well as more monitoring feeds and so forth. Popular ADAT preamp options for this application range from the Behringer ADA8200 Ultragain at the budget end of the scale, through to Cranesong's Spider at the very deep-pocketed end, with alternatives from the likes of ART, Audient, Focusrite, Grace Design, Midas, PreSonus, RME and more besides.

     A new addition to this competitive market comes from Tascam, in the form of the Series 8p Dyna. This is a 1U rackmounting eight-channel mic preamp with integrated A-D converter and, as the name implies, a dynamics processor for each channel.

Overview

     Of the eight channels, the first two preamps are accessed through front-panel combi-XLRs accepting mic, line or instrument inputs. The remaining six inputs are also on combi XLRs, but at the rear of the unit, along with two sets of balanced analogue line outputs on individual quarter-inch TRS sockets and an AES59 (25-pin) D-Sub socket.

The rear panel includes analogue outputs on both D-sub and jack connectors.

The rear panel includes analogue outputs on both D-sub and jack connectors.

     Digital outputs are presented on a pair of ADAT light-pipe ports, with both providing all eight channels at base sample rates. For double rates, the S/MUX2 format is employed, so the first port carries channels 1-4 while the second carries 5-8. At quad rates, only the first four input channels are converted, with outputs 1-2 on the first port and 3-4 on the second using S/MUX4. There are no ADAT inputs — this device is intended to provide additional recording channels, so if you want an expander to hook up analogue line-level gear you'll have to look elsewhere. A pair of BNC sockets provides word-clock synchronisation in and out, with rear-panel switching for 75Ω input termination and output source selection (thru/internal).

     The Series 8p Dyna is powered from a 12V wall-wart, with clip-on wall socket adapters for different territories. The DC power connection at the back of the rack unit is the usual coaxial connector, and a cable clamp is provided along with a Technical Ground screw-terminal (the wall-wart is a Class-2 double insulated type with no mains safety earth connection, so in installations where the rack unit doesn't get grounded via its chassis the technical ground connection can be employed instead).

     As you'd expect, the front-panel controls are extremely simple, with each channel having just a rotary gain control and a second rotary control, offset below and to the right, to adjust the 'one-knob compressor'. The latter adjusts the compressor's threshold, so turning the control clockwise results in more compression while (and, rather cleverly) turning the knob fully anti-clockwise completely bypasses the dynamics processing circuitry, as confirmed by the THD figures I captured with my Audio Precision analyser. Although these slim-line

     gain and compression knobs look elegant, I found it quite hard to see where each control was pointing as the only mark is a shallow groove cut into the shiny metal cap.

     Channels 3-8 have illuminated (red) buttons to engage phantom power, while the first two channels have three-way slide switches selecting the instrument input mode instead of the normal mic/line input, or mic with phantom power (indicated by an adjacent red LED). There are no input pad, high-pass filtering, or polarity-inversion facilities.

     Over to the right of the front panel is a compact array of eight LED short bar-graph meters monitoring the digital output, each with four level bars (-42, -18, -6, and 0 dBFS). These are supplemented with an overload LED, and another LED that illuminates when the compressor is active. Alongside these meters is a grid of seven more LEDs indicating the current sample-rate and clocking status. Changing the sample rate is slightly less obvious than most converters, as a flush-mounted button below the grid has to be held in for a couple of seconds to access the setup mode. When in this condition all seven LEDs light, with the current sample rate blinking. Further presses cycle around the sample rate and external clocking options, while another long press exits the setup mode.

 

Versatile Inputs

     With two instrument/microphone combo inputs on the front panel, you can quickly plug in mics, guitars, bass and more. Six balanced mic/line inputs grace the rear. Every microphone input has individually switched +48V phantom power for using different types of microphones such as Dynamic, Condenser, Ribbon and vintage for proper operation and safety. It adds up to a multi-purpose front end for recording and live sound.

 

Features at a glance

  • Versatile, great-sounding front end for recording and live sound
  • 8 TASCAM HDIA (High Definition Instrumentation Architecture) microphone preamplifiers
  • Single-knob analog compressor with true bypass individually assignable to each input channel
  • 2 front panel instrument (Hi-Z)/microphone combo inputs
  • 6 rear-panel balanced mic/line inputs
  • Individually switched +48V phantom power per channel
  • Dual S/MUX optical outputs: 8 channels at up to 96 kHz; 4 channels at 176.4 or 192 kHz (ADAT compatible)
  • 8 line-level 1/4-inch balanced TRS analog channel outputs
  • 8 line-level balanced channel outputs on a 25-pin D-Sub connector
  • Word clock in and out on BNC connectors, with In/Out/Thru switch
  • Front-panel analog overload indicators, compression indicators, and digital peak and level meter bars
  • Rugged metal 1U rack-mount enclosure

 

Spec description

Sampling Frequency 44.1k / 48k / 88.2k / 96k / 176.4k / 192k Hz
Quantization Bit Rate 24-bit
Analog Audio Inputs  
MIC IN (Balanced) 1-2 (when the input switch is set to MIC/LINE), 3 thru 8
Connector XLR-3-31 equivalent (1: GND, 2: HOT, 3: COLD)
Input Impedance 2.3kΩ
Rated input level  
GAIN: MAX -58dBu(0.001Vrms)
GAIN: MIN -6dBu(0.388Vrms)
Maximum Input Level +10dBu (2.45Vrms)
Gain Range 52dB
INSTRUMENT IN (Unbalanced) 1-2 (when the input switch is set to INST)
Connector 1/4" (6.3mm) TS jack equivalent (Tip: HOT, Sleeve: GND)
Input Impedance 1MΩ or more
Rated input level  
GAIN: MAX -58dBV (0.0012 Vrms)
GAIN: MIN -6dBV (0.501Vrms)
Maximum Input Level +10dBV (3.162Vrms)
Gain Range 52dB
LINE IN (Balanced) 1-2 (when the input switch set to MIC/LINE), 3 thru 8
Connector 1/4" (6.3mm) TRS jack equivalent (Tip: HOT, Ring: COLD, Sleeve: GND)
Input Impedance 10kΩ
Rated input level  
GAIN: MAX -48dBu (0.003 Vrms)
GAIN: MIN +4dBu (1.228Vrms)
Maximum Input Level +24dBu (12.282Vrms)
Gain Range 52dB
Analog Outputs  
ANALOG OUT (Balanced)  
Connector D-Sub 25pin, inch-screw No.4-40 UNC
Output Impedance 200Ω or less
Nominal Output Level +4dBu (1.228Vrms)
Maximum Output Level +20dBu (7.75Vrms)
Load Impedance 2kΩ or more
LINE OUT (Balanced) LINE OUT 1 thru 8
Connector 1/4" (6.3mm) TRS jack (Tip: HOT, Ring: COLD, Sleeve: GND)
Output Impedance 200Ω or less
Nominal Output Level +4dBu (1.228Vrms)
Maximum Output Level +20dBu (7.75Vrms)
Digital Audio Outputs  
OPTICAL OUT (S/MUX)  
Connector OPTICAL (JEITA RC-5720C)
Signal Format Multi-channel Optical Format
(Supports S/MUX2: 88.2k/96k Hz, S/MUX4: 176.4k/192k Hz)
Control Input/Output  
WORD IN  
Connector BNC
Input Voltage 2.0Vpp to 5.0Vpp
Input Impedance 75Ω +/-10% with Terminal ON/OFF Switch
Frequency Deviation +/-100ppm
WORD OUT  
Connector BNC
Output Voltage 2.0Vpp (into 75Ω)
Output Impedance 75Ω +/-10% with OUT/THRU switch
Sampling Frequency 44.1k / 48k / 88.2k / 96k / 176.4k /192k Hz
Power DC 12V (dedicated AC adapter PS-P1230)
Power Consumption 16 W
Dimensions 482(W) × 44.8(H) × 228.8(D) mm
Weight 2.6kg / 5.7lb
Operating Temperature Range 0 to 40°C
Accessories User's manual(with warranty), AC adapter (PS-P1230)

 

Audio Performance

Mic amp EIN
(equivalent input noise)
-127dBu or lower
Frequency Response * JEITA
MIC/LINE to LINE OUT 20Hz to 40kHz, +/-0.5dB
40kHz to 80kHz, +/-5dB
MIC/LINE (analog) to digital output (S/MUX)  
Fs 44.1k/48kHz 20Hz to 20kHz, +/-0.5dB
Fs 88.2k/96kHz 20Hz to 40kHz, +/-0.5dB
Fs 176.4k/192kHz 20Hz to 80kHz, +/-5dB
S/N ratio * GAIN knob at minimum, JEITA
MIC/LINE/INST to LINE OUT 116dB
MIC/LINE/INST (analog) to digital output (S/MUX)  
Fs 44.1kHz 113dB
Fs 48kHz 113dB
Fs 96kHz 111dB
THD * 1kHz sine wave, maximum input level, GAIN knob at minimum
MIC / LINE to LINE OUT 0.0007%
INST to LINE OUT 0.0009%
MIC/LINE/INST to digital output (S/MUX) 0.001%
Crosstalk * 1kHz sine wave, GAIN knob at minimum
MIC to LINE OUT 119 dB
MIC to digital output (S/MUX) 114 dB
ข้อมูลเพิ่มเติม
แบรนด์ (Brands)Tascam
รุ่น8pDyna
ข้อมูลจำเพาะTASCAM SERIES 8p Dyna ปรีแอมป์ ออดิโออินเตอร์เฟส
จำนวนช่อง (Channels)8 Channel
สี (Color)สีเงิน
เขียนรีวิวสินค้าของคุณเอง
เฉพาะผู้ใช้ที่ลงทะเบียนแล้วสามารถแสดงความคิดเห็น กรุณา เข้าสู่ระบบ หรือ สร้างบัญชี
คนที่ดูสินค้าตัวนี้ ยังสนใจสินค้าเหล่านี้ด้วย