Allen&Heath SQ5 | ดิจิตอลมิกเซอร์ 48 Ch. 16 Microphone Digital Mixing Console 7″ Capacitive Touchscreen, 96 kHz

Allen&Heath SQ5
ราคาพิเศษ ฿114,370 ราคาปรกติ ฿142,960
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 ดิจิตอลมิกเซอร์ Allen&Heath SQ5 16 Microphone Preamps 7″ Capacitive Touchscreen 96 kHz FPGA Processing Eight Stereo FX Engines with Returns 32 x 32 USB Audio Interface, AES Output, 12 Stereo Mixes + LR, Channel LCD Displays, 8 Assignable SoftKeys, SLink Port for Remote Audio & Expansion

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Allen&Heath SQ-5 ดิจิตอลมิกเซอร์ 48 Channel 16 Microphone Digital Mixing Console

ดิจิตอลมิกเซอร์ SQ5 เป็นมิกเซอร์ที่มีความทันสมัยมากกว่าอนาล็อคมิกเซอร์ โดยเฉพาะการเชื่อมต่อเข้ากับแอปใหม่ๆ จะทำได้ดีกว่า แต่มีราคาที่สูง เหมาะสำหรับมือใหม่ รวมสัญญาณเสียง แบบqkunPe">ดิจิตอล (Digital) ที่ได้มาจากช่อง สัญญาณขาเข้า ดิจิตอลมิกเซอร์ 48 Ch 16 Microphone Digital Mixing Console 7″ Capacitive Touchscreen, 96 kHz

     The Allen & Heath SQ-5 is a 48-channel, 36-bus digital mixing console well suited for live sound, corporate A/V, recording studios, and houses of worship. The SQ-5 features 16+1 motorized faders and 16 professional-quality microphone preamps. There are also eight stereo FX engines with dedicated return channels and access to the RackExtra FX library. The mixer’s 12 stereo outputs (configurable as groups or auxes) are well suited for in-ear-monitor setups, while the Auto Mic Mixing function offers quick and easy operation over multiple microphones for conferences, panel talks, and more.

     At the heart of the SQ-5 lies the 96 kHz XCVI Core FPGA engine, which delivers professional, high-resolution audio quality, ultra-low latency (less than 0.7 ms), variable bit depth for precision and noise performance, mix coherency down to the sample, and the power to handle high channel / mix counts and ample FX processing. The SQ’s DEEP processing architecture allows you to hand-pick boutique compressor and preamp emulations and embed them directly within the mixer’s inputs and mix channels, all without adding system latency or setup hassles.

     The front panel is centered around the mixer’s 7″ capacitive touchscreen and framed by an array of high-grip, illuminated encoders, which offer clear visual feedback and quick, hands-on control. You can drag-and-drop channels and mixes to any strip with custom naming and color coding on the strip display, allowing you to build a mix environment that mirrors your workflow. The SQ-5 offers softkeys, which can be freely assigned to any function for a customized and advanced workflow. The on-board recorder uses a USB Type-A port to record stereo and multitrack sessions to a flash drive. The recorder can also playback stereo and multitrack files, making it well suited for virtual sound checks and studio mixing.

     The SQ-5 offers expansion options via Allen & Heath’s stage box expanders, or install an optional Dante or Waves card to adapt and expand using the latest digital technologies. SQ is fully compatible with the ME Personal Mixing System, allowing performers to take control of their own monitor mixes. Any number of ME-1 and ME-500 personal mixers can be daisy-chained from the mixer’s SLink port, or from a connected remote expander. The Allen & Heath SQ-5 ships with a power cord.


  • 96kHz FPGA processing, 48 Input Channels, DEEP Processing ready
  • 17 Faders / 6 Layers, 12 Stereo mixes + LR
  • 3 Stereo Matrix, 8 Stereo FX Engines + dedicated returns
  • 7” capacitive touchscreen, SLink port for remote audio / expansion
  • 64ch I/O Port for audio networking, 32×32 USB audio interface
  • SQ-Drive direct recording to USB
  • AES output, Chromatic channel metering
  • Integrated LED illumination, Dedicated physical controls
  • 8 Assignable SoftKeys, Channel LCD displays, 19” rack mountable


Mic/Line Inputs Mic/Line Inputs: Balanced XLR, fully recallable
Input Sensitivity: -60 to +0 dBu
Switchable Pad: -20 dB
Analog Gain: 0 to +60 dB, 1 dB steps
Maximum Input Level: +30 dBu
Input Impedance: >5 kOhms
THD+N, Unity Gain (0 dB): 0.002% -92 dBu (20 Hz – 20 kHz, AES direct out, @ 0 dBu 1 kHz)
THD+N, Mid-Gain (+30 dB): 0.003% -91 dBu (20 Hz – 20 kHz, AES direct out, @ -30 dBu input 1 kHz)
Phantom Power +48V (+3V / -2V)
Stereo Line Inputs ST1, ST2 Connectors: Balanced, 1/4″ / 6.35 mm TRS
ST3 Connector: Unbalanced, stereo 1/8″ / 3.5 mm
Input Sensitivity (ST1, ST2 / ST3): Nominal +4 dBu ST1, ST2 / 0 dBu ST3
Trim: +/-24 dB
Maximum Input Level (ST1,ST2 / ST3): +22 dBu / +18 dBu
Input Impedance: >7 kOhms
Analog Outputs Outputs 1-12: Balanced, XLR
Outputs A and B: Balanced 1/4″ / 6.35 mm TRS
Source: Patchable
Output Impedance: <75 Ohms
Nominal Output: +4 dBu = 0 dB meter reading
Maximum Output Level: +22 dBu
Residual Output Noise: -90 dBu (muted, 20 Hz to 20 kHz)
AES Digital Audio Outputs AES Digital Output: Balanced XLR, 2 channel
96 kHz sampling rate (default with SRC bypassed)
Switchable Output Sample Rates: 44.1, 48, 88.2 (96 kHz)
2.5 Vpp balanced terminated 110 Ohms
Network Connections Connection Neutrik EtherCON (RJ45)
dsnake mode (48 kHz devices)*: 64 channels assignable, compatible with AR2412, AR84, AB168, ME
dx mode (96 kHz Devices): 32 channels assignable*, compatible with DX168
gigaACE (96 kHz Devices): 128 channels assignable, compatible with dLive, SQ and DXHub*
Inputs: Fully patchable
Outputs: Fully patchable
Sync/SRC: Assignable as master audio sync for all modes*SRC 64 channel
I/O Expansion Module Multi-channel IO option module
Inputs: Fully patchable
Outputs: Fully patchable
Sync/SRC assignable as master audio sync
Audio Specifications Measured balanced XLR in to XLR out, 0 dB gain, 0 dBu input
Dynamic Range 112 dB
Frequency Response 20 Hz to 20 kHz (+0/-0.5 dB)
Headroom +18 dB
Operating Level Internal Operating Level: 0 dBu
THD+N THD+N, Mic/Line Routed to Main L/R Out: Unity gain faders @ 0 dB, 0.006%, -84 dBu (20 Hz to 20 kHz)
dBFS Alignment +18 dBu = 0 dBFS (+22 dBu at XLR output)
Metering Accuracy Meter Calibration: 0 dB meter = -18 dBFS (+4 dBu at XLR out)
Metering Main Meter Type: 2 x 12 segment, fast (peak) response
Channel Meter Type: Single point metering, fully programmable color/brightness
Peak Indication: -3 dBFS (+19 dBu at XLR out), multi-point sensing
Sampling Rate 96 kHz
Bit Depth Uses XCVI core custom bit widths in algorithms, up to 96-bit
Latency <0.7 ms, local mic input routed to main L/R. (direct, no EQ/ effects)
Faders 3.9″ / 100.0 mm
Touch Screen 7.0″ / 177.8 mm, capacitive, 800 x 480 resolution, 24-bit RGB
Softkeys 8
Groups Mute Groups: 8
DCA Groups: 8
Network TCP/IP Ethernet for MIDI and control
Footswitch Single or dual, momentary or latching
Source Channels 1-48: Fully patchable
Global Source: SQ-Drive or USB Type-B streaming
Polarity Normal/inverted
Trim -24 to +24 dB
High Pass Filter 12 dB/octave 20 Hz to 2 kHz
Insert Insert (Pre EQ/Comp): Fully patchable
Delay Up to 341 ms
Gate Gate: Patchable sidechain
Sidechain Filter: Hi-pass (20 to 5 kHz), Band-pass (120 Hz to 10 kHz), Lo-pass (120 Hz to 20 kHz)
Threshold / Depth: -72 dBu to +18 dBu / 0 to 60 dB
Attack / Hold / Release: 50 μs to 300 ms / 10 ms to 5 seconds / 10 ms to 1 second
Parametric Equalizer PEQ: 4-band fully parametric, 20 Hz to 20 kHz, &plusmn;15 dB
Band 1, Band 4: Selectable shelving (Baxandall), bell
Band 2, Band 3: Bell
Bell Width: Variable Q, 1.5 to 1/9th octave
Compressor Compressor: Patchable sidechain
Sidechain Filter: Hi-pass (20 to 5 kHz), Band-pass (120 Hz to 10 kHz), Lo-pass (120 Hz to 20 kHz), Q=1
Threshold / Ratio: -46 dBu to 18 dBu / 1:1 to infinity
Attack / Release: 30 μs to 300 ms / 50 ms to 2 seconds
Knee: Soft/hard
Detector Response: Peak/RMS switchable
Parallel Path Compression: Dry/wet -infin to 0 dB
Channel Direct Out Follow fader, mute, mute group, DCA (global all channels)
Source Selection Post-Preamp, Post-HPF, Post Gate, Insert Return, M Post PEQ, Post Comp, Post Delay
Trim: -∞ to 10 dB per channel
Insert Insert (Pre EQ/Comp): Fully patchable
Delay Up to 682 ms
Graphic Equalizer 28 bands 31 Hz to 16 kHz, ±12 dB gain, constant 1/3 octave
FX Internal FX: 8 x RackFX engine, Send>Return or Inserted (4 dedicated fx bus)
Types: SMR Reverb, StereoTap Delay, Gated Reverb, ADT, BlueChorus, Symphonic Chorus, Flanger, Phaser
8 x Dedicated Stereo FX Returns: Fader, Pan, Mute, Routing to Mix/LR, 4-Band PEQ
PAFL PFL or stereo in-place AFL, 0 to -24 dB trim, PAFL
Delay up to 682 ms
Talkback Dedicated input, assignable to any mix, Gain, Pad, 48 V, 12 dB/oct HPF
Signal Generator Assignable to any mix, (sine/white/pink/bandpass noise)
RTA Real Time Analyzer 31-bands, 1/3 octave 20 Hz to 20 kHz, follows PAFL source
Recorder SQ-Drive: USB Type-A
Stereo Record: 2-channel, WAV, 96 kHz, 24-bit, source fully patchable
Stereo Playback: 1/2-channel, WAV, 44.1, 48, 96 kHz, 16-/24-bit, source fully patchable
Multitrack Record: 16-channel, WAV, 96 kHz, 24-bit, track sources fully patchable
Multitrack Playback: 16-channel, WAV, 96 kHz, 24-bit fully patchable
USB Audio USB Audio Streaming:  USB Type-B, Core Audio compliant, ASIO/WDM for Windows
Send (Upstream): 32-channel, 96 kHz, 24-bit
Return (Downstream): 32-channel, 96 kHz, 24-bit
Power 100 to 240 VAC, 50 / 60 Hz
Maximum Power Consumption:
Operating Temperature 32 to 104°F / 0 to 40°C
Dimensions (W × H × D) 17.3 x 20.3 x 7.8″ / 440.0 x 514.9 x 198.0 mm
Weight 23.1 lb / 10.5 kg
Packaging Info
Package Weight 33.0 lb
Box Dimensions (LxWxH) 27.0 x 24.0 x 14.5″
แบรนด์ (Brands)Allen&Heath
ข้อมูลจำเพาะAllen&Heath SQ5 ดิจิตอลมิกเซอร์ Digital Mixing Console ดิจิตอลมิกเซอร์ 7″ Capacitive Touchscreen, 96 kHz FPGA Processing
จำนวนช่อง (Channels)16 Channel
สี (Color)สีดำ
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